The "Iglesia el Carmen" is a church in Antigua Guatemala that stands as ruins. El Carmen is very unique because of its color and architecture, and certainly makes your imagination wonder how would it of looked during its golden years. Its history dates back to 1638 when permission was obtained for its construction, motion requested by the title of Our Lady of Carmen. It suffered damages during the earthquakes of 1717, 1728 and 1773, finally being ruined and closed to the public, but its facade speaks of its current and past beauty. It is accentuated by a baroque style, and stucco columns decorated with floral designs. Unlike other churches of La Antigua Guatemala, its facade has no images and displays twenty-four sets of columns, all decorated with stucco details. Antigua, Guatemala, 2014.
Portrait of a Mayan lady.
Maximón (pronounced maa-shee-MOHn), also called San Simón, is a folk saint venerated in various forms by Maya people of several towns in the highlands of Western Guatemala. The veneration of Maximón is not approved by the Roman Catholic Church. The origins of his cult are not very well understood by outsiders to the different Mayan religions, but Maximón is believed to be a form of the pre-Columbian Maya god Mam, blended with influences from Spanish Catholicism. It has been suggested that the name Maximón is a combination of Simón and Max, the Mam word for tobacco. The legend has it that one day while the village men were off working in the fields, Maximón slept with all of their wives. When they returned, they became so enraged they cut off his arms and legs (this is why most effigies of Maximón are short, often without arms). Following this, he somehow became a god, or perhaps prior to this he had been possessed by the god. Later, with the introduction of Christianity, Maximón's effigy was replaced by one of Judas Iscariot in Holy Week carnival rituals. Zunil, Guatemala, 2014.